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"When I take my Les Paul onstage, it's reliable. An SG could be different from night to night, but a Les Paul is so solid and reliable that you can trust it every night" Peter Svensson - guitar - The Cardigans
Selena Gomez
Selena Marie Gomez (born July 22, 1992) is an American singer and actress. Gomez first made her debut appearing as Gianna in Barney & Friends, lasting from 2002 to 2004. Following this, Gomez had cameo roles in films such as Spy Kids 3-D: Game Over (2003) and Walker, Texas Ranger: Trial by Fire (2005). In 2006, Gomez appeared as a guest star on an episode of the Disney Channel series The Suite Life of Zack and Cody, as well as Hannah Montana. Following this, Gomez starred in the Disney Channel television series Wizards of Waverly Place. The series was a critical and commercial success, earning Gomez numerous awards and nominations. Gomez later appeared in numerous Disney Channel series and films including Jonas Brothers: Living the Dream (2008) and Disney Channel Games (2008). In 2009, Gomez appeared in the films Princess Protection Program and Wizards of Waverly Place: The Movie before releasing her first studio album as Selena Gomez & the Scene, titled Kiss & Tell. The album was a commercial success, peaking inside the Top 10 of the Billboard 200.
Tom Lehrer
Thomas Andrew "Tom" Lehrer (born April 9, 1928) is an American singer-songwriter, satirist, pianist, and mathematician. He has lectured on mathematics and musical theater. Lehrer is best known for the pithy, humorous songs he recorded in the 1950s and 1960s.
His work often parodies popular song forms, such as in "The Elements", where he sets the names of the chemical elements to the tune of the "Major-General's Song" from Gilbert and Sullivan's Pirates of Penzance. Lehrer's earlier work typically dealt with non-topical subject matter and was noted for its black humor, seen in songs such as "Poisoning Pigeons in the Park". In the 1960s, he produced a number of songs dealing with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was The Week That Was.
In the early 1970s he retired from public performances to devote his time to teaching mathematics and music theatre at UCSC. He did two additional performances in 1998 at a London gala show celebrating the career of impresario Cameron Mackintosh.
His work often parodies popular song forms, such as in "The Elements", where he sets the names of the chemical elements to the tune of the "Major-General's Song" from Gilbert and Sullivan's Pirates of Penzance. Lehrer's earlier work typically dealt with non-topical subject matter and was noted for its black humor, seen in songs such as "Poisoning Pigeons in the Park". In the 1960s, he produced a number of songs dealing with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was The Week That Was.
In the early 1970s he retired from public performances to devote his time to teaching mathematics and music theatre at UCSC. He did two additional performances in 1998 at a London gala show celebrating the career of impresario Cameron Mackintosh.
Stephen Sondheim
Stephen Joshua Sondheim (born March 22, 1930) is an American composer and lyricist for stage and film. He is the winner of an Academy Award, multiple Tony Awards (nine, more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre (received 2008), multiple Grammy Awards, and a Pulitzer Prize. He has been described as "the greatest and perhaps best-known artist in the American musical theatre." His most famous scores include (as composer/lyricist) A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, Into the Woods, and Assassins, as well as the lyrics for West Side Story and Gypsy. He was president of the Dramatists Guild from 1973 to 1981.
Bob Telson
Robert "Bob" Eria Telson (born May 14, 1949) is an American composer, songwriter, and pianist best known for his work in musical theater and film, for which he has received Tony, Pulitzer, and Academy Award nominations. He is currently living and working in Argentina.
As a composer, Telson received an Academy Award nomination for his song "Calling You" from the movie Bagdad Café, as well as Pulitzer, Grammy and Tony Award nominations for his Broadway musicals "The Gospel at Colonus" and "Chronicle of a Death Foretold", an adaptation of the Gabriel García Márquez novel.
Telson has composed soundtracks for American, French, German and Argentinian films (including five for Percy Adlon), as well as a ballet score for Twyla Tharp (Sextet) His songs have been recorded by many international artists, such as Barbra Streisand, Natalie Cole, George Benson, Joe Cocker, Celine Dion, Wynton Marsalis, k.d. lang, Shawn Colvin, Caetano Veloso, Gal Costa and George Michael.
As a composer, Telson received an Academy Award nomination for his song "Calling You" from the movie Bagdad Café, as well as Pulitzer, Grammy and Tony Award nominations for his Broadway musicals "The Gospel at Colonus" and "Chronicle of a Death Foretold", an adaptation of the Gabriel García Márquez novel.
Telson has composed soundtracks for American, French, German and Argentinian films (including five for Percy Adlon), as well as a ballet score for Twyla Tharp (Sextet) His songs have been recorded by many international artists, such as Barbra Streisand, Natalie Cole, George Benson, Joe Cocker, Celine Dion, Wynton Marsalis, k.d. lang, Shawn Colvin, Caetano Veloso, Gal Costa and George Michael.
Pierre Attaignant
Pierre Attaingnant (c. 1494 – late 1551 or 1552) was a French music printer, active in Paris.
Attaingnant's major contribution to music printing consists in his popularizing the single-impression method for music printing, which he first employed in his 1528 publication Chansons nouvelles en musique à quatre parties. In this system, the individual notes were printed directly onto segments of staff, and so the notes, staff lines, and text could all be printed with one send through the printing press. The main disadvantage of this method was the alignment of the staff lines, which often had a “bumpy” look - some being slightly higher or slightly disjointed from others. Nevertheless, this method became standard music printing practice across Europe in the 16th and 17th centuries.
Apart from his 36 collections of chansons, he also published books with pieces in lute or keyboard tablature, as well as Masses and motets.
Attaingnant's major contribution to music printing consists in his popularizing the single-impression method for music printing, which he first employed in his 1528 publication Chansons nouvelles en musique à quatre parties. In this system, the individual notes were printed directly onto segments of staff, and so the notes, staff lines, and text could all be printed with one send through the printing press. The main disadvantage of this method was the alignment of the staff lines, which often had a “bumpy” look - some being slightly higher or slightly disjointed from others. Nevertheless, this method became standard music printing practice across Europe in the 16th and 17th centuries.
Apart from his 36 collections of chansons, he also published books with pieces in lute or keyboard tablature, as well as Masses and motets.
Gateway Worship
Gateway Worship is an American Christian worship band from Dallas-Fort Worth, Texas. The team leads worship at Gateway Church, a 16,000 member congregation located in Southlake, Texas, which has grown quickly since the church's beginnings in 2000. Gateway Worship is made of a whole team of worshippers who serve Gateway, primarily led by worship leaders Thomas Miller, Walker Beach, Kari Jobe, David Moore, and Zach Neese, who all graduated from Christ for the Nations Institute. Jason Tam and Sion Alford round out the pastoral staff. Gateway Worship is currently signed with Gateway Create Publishing and Integrity Music.
The group's 2008 release Wake Up the World reached #2 on the Billboard Top Christian Albums chart.
The group's 2008 release Wake Up the World reached #2 on the Billboard Top Christian Albums chart.
Stephen Schwartz
Stephen Lawrence Schwartz (born March 6, 1948) is an American musical theater lyricist and composer. In a career already spanning over four decades, Schwartz has written such hit musicals as Godspell (1971), Pippin (1972) and Wicked (2003). He has also contributed lyrics for a number of successful films, including Pocahontas (1995), The Hunchback of Notre Dame (1996), The Prince of Egypt (1998; music and lyrics) and Enchanted (2007). Schwartz has won the Drama Desk Award for Outstanding Lyrics, three Grammy Awards, and three Academy Awards and has been nominated for six Tony Awards.
The Light in the Piazza
The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel.
Based on a novella by Elizabeth Spencer, it is set in Florence and Rome in the summer of 1953. A young American tourist, Clara Johnson, meets and falls for young Italian Fabrizio Naccarelli. When Clara's mother Margaret learns of the affair, she opposes it for reasons that only gradually become known to the audience.
The score breaks from the traditional Broadway sound of hummable tunes by veering into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is lushly scored for piano, harp, guitar, and strings, alongside a handful of wind and percussionists. The lyrics are unique in that many of them are in Italian and broken English, as many of the characters are fluent only in Italian.
Based on a novella by Elizabeth Spencer, it is set in Florence and Rome in the summer of 1953. A young American tourist, Clara Johnson, meets and falls for young Italian Fabrizio Naccarelli. When Clara's mother Margaret learns of the affair, she opposes it for reasons that only gradually become known to the audience.
The score breaks from the traditional Broadway sound of hummable tunes by veering into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is lushly scored for piano, harp, guitar, and strings, alongside a handful of wind and percussionists. The lyrics are unique in that many of them are in Italian and broken English, as many of the characters are fluent only in Italian.
Mascagni
Pietro Antonio Stefano Mascagni (December 7, 1863 – August 2, 1945) was an Italian composer most noted for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. However, though it has been stated that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, this is inaccurate. L'amico Fritz and Iris have been popular in Europe since their respective premieres. In fact, Mascagni himself claimed that at one point Iris was performed in Italy more often than Cavalleria (cf. Stivender).
Mascagni wrote a total of seventeen operas and operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. If he never repeated the international success of Cavalleria it was probably because Mascagni refused to copy himself. The variety of styles in his operas — the Sicilian passion and warmth of Cavalleria, the exotic flavor of Iris, the idyllic breeze that ventilates the charming L'amico Fritz and Lodoletta, the Gallic chiaroscuro of Isabeau, the steely, Veristic power of Il piccolo Marat, the overripe postromanticism of the lush Parisina — demonstrate a versatility that surpasses even that of Puccini.
Mascagni wrote a total of seventeen operas and operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. If he never repeated the international success of Cavalleria it was probably because Mascagni refused to copy himself. The variety of styles in his operas — the Sicilian passion and warmth of Cavalleria, the exotic flavor of Iris, the idyllic breeze that ventilates the charming L'amico Fritz and Lodoletta, the Gallic chiaroscuro of Isabeau, the steely, Veristic power of Il piccolo Marat, the overripe postromanticism of the lush Parisina — demonstrate a versatility that surpasses even that of Puccini.
Pink Floyd
Pink Floyd are an English rock band from Cambridge. The band initially earned recognition for their psychedelic and space rock music, and, as they evolved, for their progressive rock music. Pink Floyd are known for philosophical lyrics, sonic experimentation, innovative album cover art, and elaborate live shows. One of rock music's most successful acts, the group have sold over 200 million albums worldwide including 74.5 million albums in the United States alone. Pink Floyd have influenced progressive rock artists of the 1970s such as Genesis and Yes; and contemporary artists such as Nine Inch Nails and Dream Theater.
Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters gradually became the dominant and driving force in the group by the late-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979).
In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert.
Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters gradually became the dominant and driving force in the group by the late-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979).
In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert.
Monteverdi
Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) â November 29, 1643), was an Italian composer, gambist, and singer.
Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.
Monteverdi composed at least eighteen operas, but only L'Orfeo, L'incoronazione di Poppea, Il ritorno d'Ulisse in patria and the famous aria, Lamento, from his second opera L'Arianna have survived. From monody (with melodic lines, intelligible text and placid accompanying music), it was a logical step for Monteverdi to begin composing opera, especially for a dramatically inclined composer who loved grand effect. In 1607, the premiere of his first opera, L'Orfeo, took place in Mantua. It was normal at that time for composers to create works on demand for special occasions, and this piece was part of the ducal celebrations of carnival. (Monteverdi was later to write for the first opera houses supported by ticket sales which opened in Venice). L'Orfeo has dramatic power and lively orchestration and is arguably the first example of a composer assigning specific instruments to parts in operas. It is also one of the first large compositions in which the exact instrumentation of the premiere has come down to us.
Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.
Monteverdi composed at least eighteen operas, but only L'Orfeo, L'incoronazione di Poppea, Il ritorno d'Ulisse in patria and the famous aria, Lamento, from his second opera L'Arianna have survived. From monody (with melodic lines, intelligible text and placid accompanying music), it was a logical step for Monteverdi to begin composing opera, especially for a dramatically inclined composer who loved grand effect. In 1607, the premiere of his first opera, L'Orfeo, took place in Mantua. It was normal at that time for composers to create works on demand for special occasions, and this piece was part of the ducal celebrations of carnival. (Monteverdi was later to write for the first opera houses supported by ticket sales which opened in Venice). L'Orfeo has dramatic power and lively orchestration and is arguably the first example of a composer assigning specific instruments to parts in operas. It is also one of the first large compositions in which the exact instrumentation of the premiere has come down to us.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Scarlatti
Giuseppe Domenico Scarlatti was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period.
Pergolesi
Giovanni Battista Pergolesi (4 January 1710 – 16 to 17 March 1736) was an Italian composer, violinist and organist.
Born at Jesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. He spent most of his brief life working for aristocratic patrons like the Colonna principe di Stigliano, and duca Marzio IV Maddaloni Carafa.
Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two act buffa intermezzo, La Serva Padrona (The Servant Mistress, August 28, 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comedians") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.
Born at Jesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. He spent most of his brief life working for aristocratic patrons like the Colonna principe di Stigliano, and duca Marzio IV Maddaloni Carafa.
Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two act buffa intermezzo, La Serva Padrona (The Servant Mistress, August 28, 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comedians") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.
Wagner
Wilhelm Richard Wagner (22 May 1813, Leipzig, Germany - 13 February 1883, Venice, Italy) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote both the scenario and libretto for his works.
Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.
He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
Wagner's musical style is often considered the epitome of classical music's Romantic period, due to its unprecedented exploration of emotional expression. He introduced new ideas in harmony and musical form, including extreme chromaticism. In Tristan und Isolde, he explored the limits of the traditional tonal system that gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, the so-called Tristan chord.
Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.
He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
Wagner's musical style is often considered the epitome of classical music's Romantic period, due to its unprecedented exploration of emotional expression. He introduced new ideas in harmony and musical form, including extreme chromaticism. In Tristan und Isolde, he explored the limits of the traditional tonal system that gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, the so-called Tristan chord.
Caldara
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Anonymous
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