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"When I die, I want people to play my music, go wild and freak out and do anything they want to do." Jimi Hendrix
Miles Davis
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader, and composer.
Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion. Many well-known musicians rose to prominence as members of Davis' ensembles, including saxophonists Gerry Mulligan, John Coltrane, Cannonball Adderley, George Coleman, Wayne Shorter, Dave Liebman, Branford Marsalis and Kenny Garrett; trombonist J. J. Johnson; pianists Horace Silver, Red Garland, Wynton Kelly, Bill Evans, Herbie Hancock, Joe Zawinul, Chick Corea, and Keith Jarrett; guitarists John McLaughlin, Pete Cosey, John Scofield and Mike Stern; bassists Paul Chambers, Ron Carter, Dave Holland, Marcus Miller and Darryl Jones ; and drummers Philly Joe Jones, Jimmy Cobb, Tony Williams, Billy Cobham, Jack DeJohnette, and Al Foster.
On October 7, 2008, his album Kind of Blue, released in 1959, received its fourth platinum certification from the RIAA, signifying sales of 4 million copies. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. Davis was noted as "one of the key figures in the history of jazz".
On November 5, 2009, Rep. John Conyers of Michigan sponsored a measure in the US House of Representatives to recognize and commemorate the album Kind of Blue on its 50th anniversary. The measure also affirms jazz as a national treasure and "encourages the United States government to preserve and advance the art form of jazz music." It passed, unanimously, with a vote of 409–0 on December 15, 2009.
Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion. Many well-known musicians rose to prominence as members of Davis' ensembles, including saxophonists Gerry Mulligan, John Coltrane, Cannonball Adderley, George Coleman, Wayne Shorter, Dave Liebman, Branford Marsalis and Kenny Garrett; trombonist J. J. Johnson; pianists Horace Silver, Red Garland, Wynton Kelly, Bill Evans, Herbie Hancock, Joe Zawinul, Chick Corea, and Keith Jarrett; guitarists John McLaughlin, Pete Cosey, John Scofield and Mike Stern; bassists Paul Chambers, Ron Carter, Dave Holland, Marcus Miller and Darryl Jones ; and drummers Philly Joe Jones, Jimmy Cobb, Tony Williams, Billy Cobham, Jack DeJohnette, and Al Foster.
On October 7, 2008, his album Kind of Blue, released in 1959, received its fourth platinum certification from the RIAA, signifying sales of 4 million copies. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. Davis was noted as "one of the key figures in the history of jazz".
On November 5, 2009, Rep. John Conyers of Michigan sponsored a measure in the US House of Representatives to recognize and commemorate the album Kind of Blue on its 50th anniversary. The measure also affirms jazz as a national treasure and "encourages the United States government to preserve and advance the art form of jazz music." It passed, unanimously, with a vote of 409–0 on December 15, 2009.
Detective Conan
Case Closed, known as Meitantei Conan (名探偵コナン?, lit. Great Detective Conan, officially translated as Detective Conan) in Japan, is a Japanese detective manga series written and illustrated by Gosho Aoyama. It has been serialized in Weekly Shōnen Sunday since 1994, and has been collected in 70 tankōbon volumes as of November 2010. To avoid copyright issues with the name Detective Conan, the English language release was renamed Case Closed. The story follows the adventures of Jimmy Kudo, a prodigious young detective who was inadvertently transformed into a child after being poisoned.
Since its publication, Case Closed has spawned a substantial media franchise. The manga has been adapted into an ongoing animated television series produced by TMS Entertainment and Yomiuri Telecasting Corporation. The series has spawned fourteen original video animations, fourteen animated feature films, numerous video games, and many types of Case Closed-related merchandise.
Viz Media licensed the manga series under the name for English-language publication in North America and released 36 volumes as of October 12, 2010. Funimation Entertainment licensed the anime series for North American broadcast. Both English adaptations went under the name Case Closed and the characters in the series were given Americanized names. The anime premiered on Cartoon Network as part of their Adult Swim programming block and was discontinued due to low ratings. The first six films were released on Region 1 DVD in North America.
Compilation volumes of the manga have sold over 120 million copies in Japan. The anime adaptation has been well received, ranking in the top twenty in Animage's polls between 1996 until 2001, when it dropped below the top twenty. In the Japanese TV anime ranking, Case Closed often ranked in the top six.
Since its publication, Case Closed has spawned a substantial media franchise. The manga has been adapted into an ongoing animated television series produced by TMS Entertainment and Yomiuri Telecasting Corporation. The series has spawned fourteen original video animations, fourteen animated feature films, numerous video games, and many types of Case Closed-related merchandise.
Viz Media licensed the manga series under the name for English-language publication in North America and released 36 volumes as of October 12, 2010. Funimation Entertainment licensed the anime series for North American broadcast. Both English adaptations went under the name Case Closed and the characters in the series were given Americanized names. The anime premiered on Cartoon Network as part of their Adult Swim programming block and was discontinued due to low ratings. The first six films were released on Region 1 DVD in North America.
Compilation volumes of the manga have sold over 120 million copies in Japan. The anime adaptation has been well received, ranking in the top twenty in Animage's polls between 1996 until 2001, when it dropped below the top twenty. In the Japanese TV anime ranking, Case Closed often ranked in the top six.
Pat Sczebel
Pat Sczebel is a pastor, worship leader, and songwriter in Vancouver, British Columbia. He and his wife, Cherry, have four sons and two daughters.
Ragnarok Online
Ragnarok Online (Korean: 라그나로크 온라인, alternatively subtitled The Final Destiny of the Gods), often referred to as RO, is a massively multiplayer online role-playing game or MMORPG created by GRAVITY Co., Ltd. based on the manhwa Ragnarok by Lee Myung-jin. It was first released in South Korea on 31 August 2002 for Microsoft Windows and has since been released in many other locales around the world. Its style and settings have been influenced by a wide variety of international cultures. The game has spawned an animated series, Ragnarok the Animation, and a sequel game, Ragnarok Online 2: Legend of The Second, is in development. Player characters exist in a world with a player environment that gradually changes with the passage of time. Major changes in the features and history of the world take place as episodes in the RO timeline. Player characters interact in a 3D environment but are represented by 2D character sprites for front, back, side and diagonal facings.
Mitsumune Shinkichi
Shinkichi Mitsumune (光宗 信吉 Mitsumune Shinkichi) (born October 8, 1963) is a Japanese composer who writes music primarily for anime.
Mitsumune is a native of Fukuoka City in Fukuoka Prefecture and a graduate of Rikkyo University with a degree in business. He started studying music at the age of 4. After graduating from college, he toured music festivals across Japan as a keyboardist for a Marine band, and later for musicians such as Yukie Nishimura. Starting in 1995, he lent his skills to composing anime and movie scores with a full orchestra.
Mitsumune is a native of Fukuoka City in Fukuoka Prefecture and a graduate of Rikkyo University with a degree in business. He started studying music at the age of 4. After graduating from college, he toured music festivals across Japan as a keyboardist for a Marine band, and later for musicians such as Yukie Nishimura. Starting in 1995, he lent his skills to composing anime and movie scores with a full orchestra.
Szymanowski
Karol Maciej Szymanowski (3 October 1882 – 28 March 1937) was a Polish composer and pianist.
Among Szymanowski's better known orchestral works are four symphonies (No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two dream-like violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Etudes, Op. 4 (of which No. 3 may be his single most popular piece), many mazurkas and the exquisite and highly individual Metopes. Other works include the Three Myths for violin and piano, two masterful string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafez and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
Among Szymanowski's better known orchestral works are four symphonies (No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two dream-like violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Etudes, Op. 4 (of which No. 3 may be his single most popular piece), many mazurkas and the exquisite and highly individual Metopes. Other works include the Three Myths for violin and piano, two masterful string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafez and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
Cy Coleman
Cy Coleman (June 14, 1929 - November 18, 2004) was an American composer, songwriter, and jazz pianist.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball. The score included the hit tune "Hey Look Me Over" (which was later adapted into one of LSU's school songs, "Hey, Fightin' Tigers"). When Ball became ill she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel by Patrick Dennis (Auntie Mame). The show introduced Real Live Girl and I've Got Your Number, which became popular standards.
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered, "Thank God somebody asked". Fields was revitalised by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs If My Friends Could See Me Now, I'm a Brass Band and Hey, Big Spender. The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour. Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On The Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close. Later in the decade, he collaborated on Welcome to the Club (1988) with A.E. Hotchner, and City of Angels (1989) with David Zippel. In the latter, inspired by the hard-boiled detective film noir of the 1930s and '40s, he returned to his jazz roots, and the show was a huge critical and commercial success.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball. The score included the hit tune "Hey Look Me Over" (which was later adapted into one of LSU's school songs, "Hey, Fightin' Tigers"). When Ball became ill she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel by Patrick Dennis (Auntie Mame). The show introduced Real Live Girl and I've Got Your Number, which became popular standards.
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered, "Thank God somebody asked". Fields was revitalised by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs If My Friends Could See Me Now, I'm a Brass Band and Hey, Big Spender. The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour. Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On The Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close. Later in the decade, he collaborated on Welcome to the Club (1988) with A.E. Hotchner, and City of Angels (1989) with David Zippel. In the latter, inspired by the hard-boiled detective film noir of the 1930s and '40s, he returned to his jazz roots, and the show was a huge critical and commercial success.
Seweryn Krajewski
Seweryn Krajewski (born January 3, 1947 in Nowa Sól, Poland) is a Polish singer and songwriter who rose to fame in the 1960s and 70s with the popular Polish band Czerwone Gitary. After leaving the group in 1997, he recorded several solo albums.
He has written songs for many popular Polish singers including Irena Jarocka, Maryla Rodowicz, Urszula Sipińska, Zdzisława Sośnicka, Edyta Geppert and many others.
He has written songs for many popular Polish singers including Irena Jarocka, Maryla Rodowicz, Urszula Sipińska, Zdzisława Sośnicka, Edyta Geppert and many others.
Jem
Jemma Griffiths, known by her stage name Jem, is a Welsh singer, songwriter, and record producer. Born and raised in Penarth, Wales, she began songwriting at an early age. After graduating from university in 1996, she worked as a DJ as well as co-founder of record label Marine Parade in Brighton.
Mikael Tariverdiev
Mikael Tariverdiev (Russian: Микаэл Таривердиев; (15 August 1931, Tbilisi, Georgia - 24 June 1996, Sochi, Russia) was a prominent Soviet composer of Armenian descent. He headed the Composers' Guild of Soviet Cinematographers' Union from its inception.
He was born in Tbilisi, Georgian SSR to Armenian parents, but lived and worked in Russia. He graduated from Moscow Gnessin Institute (in the class of Aram Khachaturian).
He is an author of over 100 romances and 4 operas, including the comic opera Graf Cagliostro and monoopera "The Waiting". But he is best known for his music in many popular Soviet movies (more than 130 films, included "Seventeen Moments of Spring" and "The Irony of Fate" - see List of film music by Mikael Tariverdiev).
Mikael Tariverdiev was a recipient of many awards, including the USSR State Prize (1977) and the Prize of the American Music Academy (1975). He was awarded a title People's Artist of Russia in 1986. He won three Nika Awards for Best Composer in the 1990s.
The Best Music prize at the largest Russian National Film Festival Kinotaur is named after Tariverdiev. After the Tariverdiev's death a group of admirers of his music organized the Mikael Tariverdiev Charity Fund and Tariverdiev International Organ Competition.
He was born in Tbilisi, Georgian SSR to Armenian parents, but lived and worked in Russia. He graduated from Moscow Gnessin Institute (in the class of Aram Khachaturian).
He is an author of over 100 romances and 4 operas, including the comic opera Graf Cagliostro and monoopera "The Waiting". But he is best known for his music in many popular Soviet movies (more than 130 films, included "Seventeen Moments of Spring" and "The Irony of Fate" - see List of film music by Mikael Tariverdiev).
Mikael Tariverdiev was a recipient of many awards, including the USSR State Prize (1977) and the Prize of the American Music Academy (1975). He was awarded a title People's Artist of Russia in 1986. He won three Nika Awards for Best Composer in the 1990s.
The Best Music prize at the largest Russian National Film Festival Kinotaur is named after Tariverdiev. After the Tariverdiev's death a group of admirers of his music organized the Mikael Tariverdiev Charity Fund and Tariverdiev International Organ Competition.
Federico Mompou
Federico (Frederic) Mompou i Dencausse (16 April 1893 – 30 June 1987) was a Spanish Catalan composer and pianist. He is best known for his solo piano music and his songs.
Mompou is best known as a miniaturist, writing short, relatively improvisatory music often described as "delicate" or "intimate." His principal influences were French impressionism and Erik Satie, resulting in a style in which musical development is minimized, and expression is concentrated into very small forms. He was fond of ostinato figures, bell imitations, and a kind of incantatory, meditative sound, the most complete expression of which can be found in his masterpiece "Musica Callada" (or the "Voice of Silence") based on the mystic poetry of Saint John of the Cross. He often dispensed with bar lines and key signatures.
Mompou is best known as a miniaturist, writing short, relatively improvisatory music often described as "delicate" or "intimate." His principal influences were French impressionism and Erik Satie, resulting in a style in which musical development is minimized, and expression is concentrated into very small forms. He was fond of ostinato figures, bell imitations, and a kind of incantatory, meditative sound, the most complete expression of which can be found in his masterpiece "Musica Callada" (or the "Voice of Silence") based on the mystic poetry of Saint John of the Cross. He often dispensed with bar lines and key signatures.
Lakme
Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. Set in Britsh India in the mid 19th century, Lakmé is based on the 1880 novel Rarahu ou Le Mariage de Loti by Pierre Loti. Delibes wrote the score during 1881-82 with its first performance on 14 April 1883 at the Opéra Comique in Paris. The opera includes the famous and popular Flower Duet (Sous le dôme épais) for sopranos performed in the first act by the lead character Lakmé, the daughter of a Brahmin priest, and her servant Mallika. Another famous aria from the opera is the Bell Song (L'Air des clochettes) in Act 2.
Like other French operas of the period, Lakmé captures the ambiance of the Orient that was in vogue during the latter part of the nineteenth century in line with other operatic works such as Bizet's The Pearl Fishers and Massenet's Le roi de Lahore.The subject of the opera was suggested by Gondinet as a vehicle for the American soprano Marie van Zandt.
Like other French operas of the period, Lakmé captures the ambiance of the Orient that was in vogue during the latter part of the nineteenth century in line with other operatic works such as Bizet's The Pearl Fishers and Massenet's Le roi de Lahore.The subject of the opera was suggested by Gondinet as a vehicle for the American soprano Marie van Zandt.
Ryan Scott Oliver
Ryan Scott Oliver (born August 27, 1984) is an American musical theatre composer and lyricist. He is a 2011 Lucille Lortel Award Nominee and the recipient of both the 2009 Jonathan Larson Grant and the 2008 Richard Rodgers Award for Musical Theater. Oliver is an adjunct professor at Pace University in New York, and Artistic Director of the Pasadena Musical Theatre Program in California. He received his B.A. in Music Composition from UCLA and his M.F.A. in Musical Theatre Writing from the Tisch School of the Arts at New York University. He is also creator of the blog Crazytown and member of A.S.C.A.P. Oliver's work has been heard at the Writers Guild Awards, Off-Broadway in TheatreWorksUSA's We the People, and countless showcases.
Ruben Guzman
Rubén Guzmán ; Ricardo Montaner. Venezuelan musician ; Eduardo Marturet. Venezuelan conductor and composer
Joseph Rheinberger
Josef Gabriel Rheinberger (17 March 1839, in Vaduz – 25 November 1901, in Munich) was a German organist and composer, born in Liechtenstein.
When only seven years old Rheinberger became organist at Vaduz Parish Church, and his first composition was performed the following year. In 1851 he entered the Munich Conservatory, where he later became professor of piano and subsequently professor of composition. When the Munich Conservatorium was dissolved he was appointed répétiteur at the Court Theatre, from which he resigned in 1867.
Rheinberger married his former pupil Franziska von Hoffnaass in 1867. He was influenced by painting and literature (especially English and German).
In 1877 Rheinberger obtained the rank of court conductor, a position that gave him responsibility for the music in the royal chapel. He was later awarded an honorary degree of Doctor of Philosophy by Ludwig Maximilian University of Munich. A distinguished teacher, he numbered many Americans among his pupils, including Horatio Parker, William Berwald, George Whitefield Chadwick, Bruno Klein, and Henry Holden Huss. When the present Conservatorium was founded in Munich, Rheinberger was appointed its professor of organ and composition, a post he held until his death. He was also given the title "Royal Professor".
Rheinberger was a prolific composer. His religious works include twelve masses (one for double chorus, three for four voices a cappella, three for women's voices and organ, two for men's voices and one with orchestra), a requiem, and a Stabat Mater. His other works include several operas, symphonies, chamber music, and choral works. Today he is remembered almost exclusively for his elaborate and challenging organ compositions; these include two concertos, 20 sonatas, 22 trios, 12 Meditations, 24 fughettos, and 36 solo pieces.
When only seven years old Rheinberger became organist at Vaduz Parish Church, and his first composition was performed the following year. In 1851 he entered the Munich Conservatory, where he later became professor of piano and subsequently professor of composition. When the Munich Conservatorium was dissolved he was appointed répétiteur at the Court Theatre, from which he resigned in 1867.
Rheinberger married his former pupil Franziska von Hoffnaass in 1867. He was influenced by painting and literature (especially English and German).
In 1877 Rheinberger obtained the rank of court conductor, a position that gave him responsibility for the music in the royal chapel. He was later awarded an honorary degree of Doctor of Philosophy by Ludwig Maximilian University of Munich. A distinguished teacher, he numbered many Americans among his pupils, including Horatio Parker, William Berwald, George Whitefield Chadwick, Bruno Klein, and Henry Holden Huss. When the present Conservatorium was founded in Munich, Rheinberger was appointed its professor of organ and composition, a post he held until his death. He was also given the title "Royal Professor".
Rheinberger was a prolific composer. His religious works include twelve masses (one for double chorus, three for four voices a cappella, three for women's voices and organ, two for men's voices and one with orchestra), a requiem, and a Stabat Mater. His other works include several operas, symphonies, chamber music, and choral works. Today he is remembered almost exclusively for his elaborate and challenging organ compositions; these include two concertos, 20 sonatas, 22 trios, 12 Meditations, 24 fughettos, and 36 solo pieces.
Bobby Cronin
BOBBY CRONIN is a fast-rising, hard-working composer/writer who "...thinks big. In all ways. Writing in a contemporary musical theatre vein, the songs are passionate and powerful in a take-no-prisoners way that will knock your socks off." Rob Lester, Cabaret Exchange.
Lefty Frizzell
Lefty Frizzell (March 31, 1928–July 19, 1975), born William Orville Frizzell, was an American country music singer and songwriter of the 1950s, and a proponent of honky tonk music. His relaxed style of singing was an influence on later stars Merle Haggard, Willie Nelson, Roy Orbison, George Jones and John Fogerty. He is a member of the Country Music Hall of Fame.
L. M. Gottschalk
Louis Moreau Gottschalk (May 8, 1829 – December 18, 1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. He spent most of his working career outside of the United States.
Gottschalk's music was very popular during his lifetime, and his earliest compositions created a sensation in Europe. Early pieces like "Le Bananier" and "Bamboula" were based on Gottschalk's memories of the music he heard during his youth in Louisiana. In this context, some of Gottschalk's work, such as the 13-minute opera Escenas campestres, retains a wonderfully innocent sweetness and charm.
Gottschalk's music was very popular during his lifetime, and his earliest compositions created a sensation in Europe. Early pieces like "Le Bananier" and "Bamboula" were based on Gottschalk's memories of the music he heard during his youth in Louisiana. In this context, some of Gottschalk's work, such as the 13-minute opera Escenas campestres, retains a wonderfully innocent sweetness and charm.
J. Zamecnik
John Stepan Zamecnik (Cleveland, Ohio, May 14 1872 - Los Angeles, California, June 3 1953) was an American composer and conductor, most notably of "photoplay music." (music used by silent film theater orchestras)
He used many pseudonym, including Dorothy Lee, Lionel Baxter, R.L. (Robert) Creighton, Arturo de Castro, "Josh and Ted", J. (Jane) Hathaway, Kathryn Hawthorne, Roberta Hudson, Ioane Kawelo, J. Edgar Lowell, Jules Reynard, F. (Frederick) Van Norman, Hal Vinton and Grant Wellesley.
He used many pseudonym, including Dorothy Lee, Lionel Baxter, R.L. (Robert) Creighton, Arturo de Castro, "Josh and Ted", J. (Jane) Hathaway, Kathryn Hawthorne, Roberta Hudson, Ioane Kawelo, J. Edgar Lowell, Jules Reynard, F. (Frederick) Van Norman, Hal Vinton and Grant Wellesley.
How To Succeed In Business Without Really Trying
How to Succeed in Business Without Really Trying is a musical with music and lyrics by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name.
The musical opened at the 46th Street Theatre on Broadway in October 1961, running for 1,417 performances. The show won seven Tony Awards, the New York Drama Critics Circle award, and the 1962 Pulitzer Prize for Drama. In 1967, a film based on the musical was released by United Artists, with many of the original cast recreating their roles. A 1995 revival was mounted at the same theater as the original production (now named the Richard Rodgers Theatre), and ran for 548 performances, and starred Matthew Broderick and Megan Mullally.
The musical opened at the 46th Street Theatre on Broadway in October 1961, running for 1,417 performances. The show won seven Tony Awards, the New York Drama Critics Circle award, and the 1962 Pulitzer Prize for Drama. In 1967, a film based on the musical was released by United Artists, with many of the original cast recreating their roles. A 1995 revival was mounted at the same theater as the original production (now named the Richard Rodgers Theatre), and ran for 548 performances, and starred Matthew Broderick and Megan Mullally.
Dizzy Gillespie
John Birks "Dizzy" Gillespie (pronounced /ɡɨˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".
Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.
Allmusic's Scott Yanow wrote that "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated . . . Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.
In addition to featuring in the epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the "Spanish Tinge". Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.
Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.
Allmusic's Scott Yanow wrote that "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated . . . Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.
In addition to featuring in the epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the "Spanish Tinge". Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.
Jack Nitzsche
Bernard Alfred "Jack" Nitzsche (22 April 1937 – 25 August 2000) was an arranger, producer, songwriter, and film score composer. He first came to prominence in the late 1950s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones, Neil Young and others. He also worked extensively in film scores, winning a song of the year Oscar in 1983 for co-writing "Up Where We Belong" (from An Officer and a Gentleman.)
Hurts
Hurts are an English synthpop duo from Manchester composed of singer Theo Hutchcraft (originally from North Yorkshire) and synth player Adam Anderson.
In July 2009, the band featured as "Band of the Day" on Guardian.co.uk. They finished in fourth position in BBC's Sound of 2010 poll.
The band's song "Wonderful Life" was notably remixed by Arthur Baker. In early 2010 they officially released their debut single, Better Than Love with a famous romanian actress named Laura Cosoi, and played their first ever live shows. The song "Unspoken" produced by Sky is the Limit turned heads with it's synths and orchestra bridge as it was created by an unknown but creative individual. The song "Illuminated" also was the soundtrack to Sky1 HD's advert to promote their best-watched seasonal programmes in High Definition (Bones, House, Fringe, Stargate Universe) in spring/summer 2010.
Their debut album called Happiness was released on 6 September 2010. It contains a duet with Kylie Minogue entitled "Devotion". To promote the release of their debut album, the band collaborated with author Joe Stretch to produce an interactive audio book narrated by Anna Friel. It is found on the online music player Spotify, with the first entry being found by searching for "a5m4".
Before Hurts, singer Theo and synth player Adam were previously in bands named Bureau, later to be renamed Daggers.
In September 2010 it was announced their UK tour was sold out, and that Hurts would support Scissor Sisters on their UK tour later this year. Hurts appeared on Sky Sports show Soccer AM to promote their album and their single "Stay".
Hurts have revealed plans to release a Christmas single. The duo released "All I Want For Christmas Is New Year's Day" in December. News of the single was confirmed on their label RCA's official website, as well as by their A&R team. They tweeted: "News just in! Hurts will release a Chrimbo single 'All I Want For Christmas Is New Year's Day' this December. We've heard it & it's AMAZING." The song is available free of charge on iTunes from December 14. The video premiered on 2nd December on their website at 3pm. Hurts recently announced they were approached to work with Leona Lewis.
In July 2009, the band featured as "Band of the Day" on Guardian.co.uk. They finished in fourth position in BBC's Sound of 2010 poll.
The band's song "Wonderful Life" was notably remixed by Arthur Baker. In early 2010 they officially released their debut single, Better Than Love with a famous romanian actress named Laura Cosoi, and played their first ever live shows. The song "Unspoken" produced by Sky is the Limit turned heads with it's synths and orchestra bridge as it was created by an unknown but creative individual. The song "Illuminated" also was the soundtrack to Sky1 HD's advert to promote their best-watched seasonal programmes in High Definition (Bones, House, Fringe, Stargate Universe) in spring/summer 2010.
Their debut album called Happiness was released on 6 September 2010. It contains a duet with Kylie Minogue entitled "Devotion". To promote the release of their debut album, the band collaborated with author Joe Stretch to produce an interactive audio book narrated by Anna Friel. It is found on the online music player Spotify, with the first entry being found by searching for "a5m4".
Before Hurts, singer Theo and synth player Adam were previously in bands named Bureau, later to be renamed Daggers.
In September 2010 it was announced their UK tour was sold out, and that Hurts would support Scissor Sisters on their UK tour later this year. Hurts appeared on Sky Sports show Soccer AM to promote their album and their single "Stay".
Hurts have revealed plans to release a Christmas single. The duo released "All I Want For Christmas Is New Year's Day" in December. News of the single was confirmed on their label RCA's official website, as well as by their A&R team. They tweeted: "News just in! Hurts will release a Chrimbo single 'All I Want For Christmas Is New Year's Day' this December. We've heard it & it's AMAZING." The song is available free of charge on iTunes from December 14. The video premiered on 2nd December on their website at 3pm. Hurts recently announced they were approached to work with Leona Lewis.
Keane
Keane are an English piano rock band, first established in Battle, East Sussex in 1995, and taking their current name in 1997. The group comprises composer, bassist, and pianist Tim Rice-Oxley, lead vocalist Tom Chaplin and drummer Richard Hughes. Their original line-up included founder and guitarist Dominic Scott, who left in 2001. Keane are known for using a piano as their lead instrument instead of guitars, significantly differentiating them from most rock bands. The inclusion of a distorted piano effect since 2006 and various synthesizers are now a common feature in their music that nowadays combines the piano rock sound used during their first album and the alternative rock sound which developed during 2005. Acoustic and power ballads are a highlight in the group's music, including fan favourite songs such as "On a Day Like Today" and "We Might as Well Be Strangers".
Their first two studio albums, Hopes and Fears and Under the Iron Sea achieved success in the United Kingdom upon release and very high sales worldwide: their multi-award-winning debut was the best-selling British album of 2004, and their sophomore sold up to 222,000 copies during its first week on sale in June 2006. In May 2008, both Hopes and Fears (#13) and Under the Iron Sea (#8) were voted by readers of Q magazine within the best British albums ever; Keane, The Beatles, Oasis and Radiohead were the only musical acts having two albums in the top 20.
The band's third studio album, Perfect Symmetry will be released in October 13, 2008.
Their first two studio albums, Hopes and Fears and Under the Iron Sea achieved success in the United Kingdom upon release and very high sales worldwide: their multi-award-winning debut was the best-selling British album of 2004, and their sophomore sold up to 222,000 copies during its first week on sale in June 2006. In May 2008, both Hopes and Fears (#13) and Under the Iron Sea (#8) were voted by readers of Q magazine within the best British albums ever; Keane, The Beatles, Oasis and Radiohead were the only musical acts having two albums in the top 20.
The band's third studio album, Perfect Symmetry will be released in October 13, 2008.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Frank Sinatra
Francis Albert "Frank" Sinatra (December 12, 1915 â May 14, 1998) was an American singer and actor.
Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became a solo artist with great success in the early to mid-1940s, being the idol of the "bobby soxers". His professional career had stalled by the 1950s, but it was reborn in 1954 after he won the Academy Award for Best Supporting Actor.
He signed with Capitol Records and released several critically lauded albums (such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly with Me, Only the Lonely and Nice 'n' Easy). Sinatra left Capitol to found his own record label, Reprise Records (finding success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and Francis Albert Sinatra & Antonio Carlos Jobim), toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s. Sinatra turned 50 in 1965, recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with "Strangers in the Night" and "My Way".
Sinatra attempted to weather the changing tastes in popular music, but with dwindling album sales and after appearing in several poorly received films, he retired in 1971. Coming out of retirement in 1973, he recorded several albums, scoring a hit with "(Theme From) New York, New York" in 1980, and toured both within the United States and internationally until a few years before his death in 1998.
Sinatra also forged a career as a dramatic actor, winning the Academy Award for Best Supporting Actor for his performance in From Here to Eternity, and he was nominated for the Academy Award for Best Actor for The Man with the Golden Arm. His also starred in such musicals as High Society, Pal Joey, Guys and Dolls and On the Town. Sinatra was honored with the Kennedy Center Honors in 1983 and awarded the Presidential Medal of Freedom by Ronald Reagan in 1985 and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award.
Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became a solo artist with great success in the early to mid-1940s, being the idol of the "bobby soxers". His professional career had stalled by the 1950s, but it was reborn in 1954 after he won the Academy Award for Best Supporting Actor.
He signed with Capitol Records and released several critically lauded albums (such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly with Me, Only the Lonely and Nice 'n' Easy). Sinatra left Capitol to found his own record label, Reprise Records (finding success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and Francis Albert Sinatra & Antonio Carlos Jobim), toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s. Sinatra turned 50 in 1965, recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with "Strangers in the Night" and "My Way".
Sinatra attempted to weather the changing tastes in popular music, but with dwindling album sales and after appearing in several poorly received films, he retired in 1971. Coming out of retirement in 1973, he recorded several albums, scoring a hit with "(Theme From) New York, New York" in 1980, and toured both within the United States and internationally until a few years before his death in 1998.
Sinatra also forged a career as a dramatic actor, winning the Academy Award for Best Supporting Actor for his performance in From Here to Eternity, and he was nominated for the Academy Award for Best Actor for The Man with the Golden Arm. His also starred in such musicals as High Society, Pal Joey, Guys and Dolls and On the Town. Sinatra was honored with the Kennedy Center Honors in 1983 and awarded the Presidential Medal of Freedom by Ronald Reagan in 1985 and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award.
John Denver
John Denver (December 31, 1943 – October 12, 1997), born Henry John Deutschendorf, Jr., was an American Country Music/folk singer-songwriter and folk rock musician. One of the most popular artists of the 1970s, he recorded and released some 300 songs, about half composed by himself. He was named Poet Laureate of Colorado in 1977. Songs such as "Leaving on a Jet Plane" (1967), "Take Me Home, Country Roads" (1971), "Rocky Mountain High" (1973), "Thank God I'm a Country Boy" (1974), "Annie's Song" (1974), "Sunshine on My Shoulders" (1974), and "Calypso" (1975) are popular worldwide. Denver has been referred to as "The Poet for the Planet", "Mother Nature's Son" (based on The Beatles song he covered) and "A Song's Best Friend".
James Horner
James Roy Horner (born August 14, 1953) is an award winning American composer, orchestrator and conductor of orchestral and film music. He is noted for the integration of choral and electronic elements in many of his film scores, and for frequent use of Celtic musical elements.
In a career that spans over three decades, Horner has composed several of Hollywood's most famous film scores. He is probably best known for his critically acclaimed works on the 1997 film Titanic, which remains today the best selling film soundtrack of all time. Other popular works include Braveheart, Apollo 13, The Mask of Zorro, and The Legend of Zorro.
Horner is a two time Academy Award winner, and has received a total of 11 nominations. He has won numerous other awards, including the Golden Globe Award and the Grammy Award.
In a career that spans over three decades, Horner has composed several of Hollywood's most famous film scores. He is probably best known for his critically acclaimed works on the 1997 film Titanic, which remains today the best selling film soundtrack of all time. Other popular works include Braveheart, Apollo 13, The Mask of Zorro, and The Legend of Zorro.
Horner is a two time Academy Award winner, and has received a total of 11 nominations. He has won numerous other awards, including the Golden Globe Award and the Grammy Award.
Chick Corea
Armando Anthony "Chick" Corea (born June 12, 1941) is a multiple Grammy Award-winning American jazz pianist, keyboardist, drummer, and composer.
He is known for his work during the 1970s in the genre of jazz fusion. He participated in the birth of the electric fusion movement as a member of Miles Davis' band in the 1960s, and in the 1970s formed Return to Forever.
He continued to pursue other collaborations and explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
He is known for his work during the 1970s in the genre of jazz fusion. He participated in the birth of the electric fusion movement as a member of Miles Davis' band in the 1960s, and in the 1970s formed Return to Forever.
He continued to pursue other collaborations and explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Czerny
Carl Czerny (sometimes Karl; February 21, 1791 – July 15, 1857) was an Austrian pianist, composer and teacher. He is best remembered today for his books of études for the piano. Czerny knew and was influenced by the well-known pianists Muzio Clementi and Johann Nepomuk Hummel.
Lionel Bart
Lionel Bart (1 August 1930 – 3 April 1999) was a writer and composer of British pop music and musicals, best known for creating the book, music and lyrics for Oliver!
He started his songwriting career in amateur theatre, first at The International Youth Centre in 1952 where he and a friend wrote a revue together called IYC Revue 52. The following year the pair auditioned for a production of the Leonard Irwin play The Wages Of Eve at Unity Theatre, London. Shortly after Bart began composing songs for Unity Theatre, contributing material (including the title song) to their 1953 revue Turn It Up, and songs for their 1953 pantomime, an agit prop version of Cinderella. While at Unity he was talent spotted by Joan Littlewood and so joined Theatre Workshop. He also wrote comedy songs for the Sunday lunchtime BBC radio programme The Billy Cotton Band Show.
He first gained widespread recognition through his pop songwriting, penning numerous hits for the stable of young male singers promoted by artist manager and music publisher Larry Parnes. Bart's pop output in this period includes the hits "Living Doll" (written for Cliff Richard) and "Rock with the Cavemen","Handful of Songs", "Butterfingers" and "Little White Bull" (for Tommy Steele). During this period, Mike Pratt as well as Steele were his songwriting partners. In 1957, he won three Ivor Novello Awards, a further four in 1958, and two in 1960. He wrote the theme song for the 1963 James Bond film From Russia with Love. His other hits include: "Do You Mind?" (recorded by both Anthony Newley and Andy Williams), "Big Time" (a 1961 cover of his "Fings Ain't Wot They Used T'Be" show tune by Jack Jones), "Easy Going Me" (Adam Faith) and "Always You And Me" (with Russ Conway).
Bart was also responsible for the discovery of two of Parnes' biggest stars. It was on his recommendation that Parnes went to see singer Tommy Hicks, whom he signed and renamed Tommy Steele, and Bart also suggested that Parnes see singer Reg Smith, who was then performing at the Condor Club. Although Parnes missed his performance, he went round to Smith's house and signed him up on the basis of Bart's recommendation. Smith went on to score a number of UK hits under his new stage name Marty Wilde.
He started his songwriting career in amateur theatre, first at The International Youth Centre in 1952 where he and a friend wrote a revue together called IYC Revue 52. The following year the pair auditioned for a production of the Leonard Irwin play The Wages Of Eve at Unity Theatre, London. Shortly after Bart began composing songs for Unity Theatre, contributing material (including the title song) to their 1953 revue Turn It Up, and songs for their 1953 pantomime, an agit prop version of Cinderella. While at Unity he was talent spotted by Joan Littlewood and so joined Theatre Workshop. He also wrote comedy songs for the Sunday lunchtime BBC radio programme The Billy Cotton Band Show.
He first gained widespread recognition through his pop songwriting, penning numerous hits for the stable of young male singers promoted by artist manager and music publisher Larry Parnes. Bart's pop output in this period includes the hits "Living Doll" (written for Cliff Richard) and "Rock with the Cavemen","Handful of Songs", "Butterfingers" and "Little White Bull" (for Tommy Steele). During this period, Mike Pratt as well as Steele were his songwriting partners. In 1957, he won three Ivor Novello Awards, a further four in 1958, and two in 1960. He wrote the theme song for the 1963 James Bond film From Russia with Love. His other hits include: "Do You Mind?" (recorded by both Anthony Newley and Andy Williams), "Big Time" (a 1961 cover of his "Fings Ain't Wot They Used T'Be" show tune by Jack Jones), "Easy Going Me" (Adam Faith) and "Always You And Me" (with Russ Conway).
Bart was also responsible for the discovery of two of Parnes' biggest stars. It was on his recommendation that Parnes went to see singer Tommy Hicks, whom he signed and renamed Tommy Steele, and Bart also suggested that Parnes see singer Reg Smith, who was then performing at the Condor Club. Although Parnes missed his performance, he went round to Smith's house and signed him up on the basis of Bart's recommendation. Smith went on to score a number of UK hits under his new stage name Marty Wilde.
György Ligeti
György Sándor Ligeti (May 28, 1923 – June 12, 2006) was a composer, born in a Hungarian Jewish family in Transylvania, Romania. He briefly lived in Hungary before later becoming an Austrian citizen. Many of his works are well known in classical music circles, but to the general public, he is best-known for the various pieces featured in the Stanley Kubrick films 2001: A Space Odyssey, The Shining, and Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Friedrich Gulda
Friedrich Gulda (16 May 1930 – 27 January 2000) was an Austrian pianist who performed in both the classical and jazz fields.
Born in Vienna as the son of a teacher, Gulda began learning to play the piano from Felix Pazofsky at the Wiener Volkskonservatorium, aged 7; in 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
He won first prize at the International Competition in Geneva in 1946. Initially the jury preferred the Belgian pianist Lode Backx (b. 1922), but when the final vote was taken, Gulda was the winner. One of the jurors, Eileen Joyce, who favoured Backx, stormed out and created a minor international incident by claiming the other jurors were "nobbled" by Gulda's supporters. Gulda began going on concert tours throughout the world. Together with Jörg Demus and Paul Badura-Skoda, Gulda formed what became known as the "Viennese troika".
Although most famous for his Mozart and Beethoven interpretations, Gulda also performed the music of J. S. Bach (often on clavichord), Schubert, Chopin, Schumann, Debussy and Ravel.
From the 1950s on he cultivated an interest in jazz, performing with many Viennese musicians like Alexander Jenner, writing several songs and instrumental pieces himself and combining jazz and classical music in his concerts at times. Gulda wrote a Prelude and Fugue with a theme suggesting swing. Keith Emerson performed it on Emerson, Lake & Palmer's The Return of the Manticore. In addition, Gulda composed "Variations on The Doors' 'Light My Fire'". Another version can be found on As You Like It (1970), an album with standards such as "'Round Midnight" and "What Is This Thing Called Love?"
In 1982, Gulda teamed up with jazz pianist Chick Corea, who found himself in between the breakup of Return to Forever and the formation of his Elektric Band. Issued on The Meeting (Philips, 1984), Gulda and Corea communicate in lengthy improvisations mixing jazz ("Some Day My Prince Will Come" and the lesser known Miles Davis song "Put Your Foot Out") and classical music (Brahms' "Wiegenlied" ). In the late 1990s, Gulda organised rave parties, where he performed with the support of several DJs and Go-Go dancers.
It was this unorthodox practice that, among other things like his refusal to follow clothing conventions or scheduled concert programmes, earned him the nickname "terrorist pianist"; Gulda had a strong dislike of authorities like his alma mater, the Vienna Music Academy, the Beethoven Ring of which he was offered in recognition of his performances but which he refused. He even faked his own death followed by a resurrection party at the Vienna Konzerthaus in 1999, cementing his status as the enfant terrible among pianists. Nevertheless, Gulda is widely regarded as one of the most outstanding piano players of the 20th century. His piano students included Martha Argerich and the conductor Claudio Abbado.
Born in Vienna as the son of a teacher, Gulda began learning to play the piano from Felix Pazofsky at the Wiener Volkskonservatorium, aged 7; in 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
He won first prize at the International Competition in Geneva in 1946. Initially the jury preferred the Belgian pianist Lode Backx (b. 1922), but when the final vote was taken, Gulda was the winner. One of the jurors, Eileen Joyce, who favoured Backx, stormed out and created a minor international incident by claiming the other jurors were "nobbled" by Gulda's supporters. Gulda began going on concert tours throughout the world. Together with Jörg Demus and Paul Badura-Skoda, Gulda formed what became known as the "Viennese troika".
Although most famous for his Mozart and Beethoven interpretations, Gulda also performed the music of J. S. Bach (often on clavichord), Schubert, Chopin, Schumann, Debussy and Ravel.
From the 1950s on he cultivated an interest in jazz, performing with many Viennese musicians like Alexander Jenner, writing several songs and instrumental pieces himself and combining jazz and classical music in his concerts at times. Gulda wrote a Prelude and Fugue with a theme suggesting swing. Keith Emerson performed it on Emerson, Lake & Palmer's The Return of the Manticore. In addition, Gulda composed "Variations on The Doors' 'Light My Fire'". Another version can be found on As You Like It (1970), an album with standards such as "'Round Midnight" and "What Is This Thing Called Love?"
In 1982, Gulda teamed up with jazz pianist Chick Corea, who found himself in between the breakup of Return to Forever and the formation of his Elektric Band. Issued on The Meeting (Philips, 1984), Gulda and Corea communicate in lengthy improvisations mixing jazz ("Some Day My Prince Will Come" and the lesser known Miles Davis song "Put Your Foot Out") and classical music (Brahms' "Wiegenlied" ). In the late 1990s, Gulda organised rave parties, where he performed with the support of several DJs and Go-Go dancers.
It was this unorthodox practice that, among other things like his refusal to follow clothing conventions or scheduled concert programmes, earned him the nickname "terrorist pianist"; Gulda had a strong dislike of authorities like his alma mater, the Vienna Music Academy, the Beethoven Ring of which he was offered in recognition of his performances but which he refused. He even faked his own death followed by a resurrection party at the Vienna Konzerthaus in 1999, cementing his status as the enfant terrible among pianists. Nevertheless, Gulda is widely regarded as one of the most outstanding piano players of the 20th century. His piano students included Martha Argerich and the conductor Claudio Abbado.
Emerson Lake and Palmer
Emerson, Lake & Palmer, also known as ELP, are an English progressive rock supergroup. They found success in the 1970s and sold over forty million albums and headlined large stadium concerts. The band consists of Keith Emerson (keyboards), Greg Lake (bass guitar, vocals, guitar) and Carl Palmer (drums, percussion). They are one of the most commercially successful progressive rock bands and from the outset focused on combining classical pieces with rock music.
Frederic Rzewski
Frederic Anthony Rzewski (born April 13, 1938 in Westfield, Massachusetts) is an American composer and virtuoso pianist.
Rzewski (pronounced zheff-skee) began playing piano at age 5. He attended Phillips Academy, Harvard and Princeton, where his teachers included Randall Thompson, Roger Sessions, Walter Piston and Milton Babbitt. In 1960, he went to Italy, a trip which was formative in his future musical development. In addition to studying with Luigi Dallapiccola, he began a career as a performer of new piano music, often with an improvisatory element. A few years later he was a co-founder of Musica Elettronica Viva with Alvin Curran and Richard Teitelbaum. Musica Elettronica Viva conceived music as a collective, collaborative process, with improvisation and live electronic instruments prominently featured. In 1971 he returned to New York.
In 1977 Rzewski became Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, then directed by Henri Pousseur. Occasionally he teaches for short periods at schools and universities throughout the U.S. and Europe, including Yale University, the University of Cincinnati, the California Institute of the Arts, the University of California, San Diego, the Royal Conservatory of The Hague and Trinity College of Music, London.
Many of Rzewski's works are inspired by secular and socio-historical themes, show a deep political conscience and feature improvisational elements. Some of his better-known works include The People United Will Never Be Defeated! (36 variations on the Sergio Ortega song El pueblo unido jamás será vencido), a set of virtuosic piano variations written as a companion piece to Beethoven's Diabelli Variations; Coming Together, which is a setting of letters from Sam Melville, an inmate at Attica State Prison, at the time of the famous riots there (1971); North American Ballads; Night Crossing with Fisherman; Fougues; Fantasia and Sonata; The Price of Oil, and Le Silence des Espaces Infinis, both of which use graphical notation; Les Moutons de Panurge; and the Antigone-Legend, which features a principled opposition to the policies of the State, and which was premiered on the night that the United States bombed Libya in April 1986 (ibid). Between his most recent compositions, the most interesting are the two sets of Nanosonatas (2007) and the Cadenza con o senza Beethoven (2003), written for Beethoven's Fourth Piano Concerto.
Rzewski (pronounced zheff-skee) began playing piano at age 5. He attended Phillips Academy, Harvard and Princeton, where his teachers included Randall Thompson, Roger Sessions, Walter Piston and Milton Babbitt. In 1960, he went to Italy, a trip which was formative in his future musical development. In addition to studying with Luigi Dallapiccola, he began a career as a performer of new piano music, often with an improvisatory element. A few years later he was a co-founder of Musica Elettronica Viva with Alvin Curran and Richard Teitelbaum. Musica Elettronica Viva conceived music as a collective, collaborative process, with improvisation and live electronic instruments prominently featured. In 1971 he returned to New York.
In 1977 Rzewski became Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, then directed by Henri Pousseur. Occasionally he teaches for short periods at schools and universities throughout the U.S. and Europe, including Yale University, the University of Cincinnati, the California Institute of the Arts, the University of California, San Diego, the Royal Conservatory of The Hague and Trinity College of Music, London.
Many of Rzewski's works are inspired by secular and socio-historical themes, show a deep political conscience and feature improvisational elements. Some of his better-known works include The People United Will Never Be Defeated! (36 variations on the Sergio Ortega song El pueblo unido jamás será vencido), a set of virtuosic piano variations written as a companion piece to Beethoven's Diabelli Variations; Coming Together, which is a setting of letters from Sam Melville, an inmate at Attica State Prison, at the time of the famous riots there (1971); North American Ballads; Night Crossing with Fisherman; Fougues; Fantasia and Sonata; The Price of Oil, and Le Silence des Espaces Infinis, both of which use graphical notation; Les Moutons de Panurge; and the Antigone-Legend, which features a principled opposition to the policies of the State, and which was premiered on the night that the United States bombed Libya in April 1986 (ibid). Between his most recent compositions, the most interesting are the two sets of Nanosonatas (2007) and the Cadenza con o senza Beethoven (2003), written for Beethoven's Fourth Piano Concerto.
Nielsen
Carl August Nielsen (9 June 1865 – 3 October 1931), widely recognised as Denmark's greatest composer, was also a conductor and a violinist. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. While it was some time before his works were fully appreciated, even in his home country, Nielsen has now firmly entered the international repertoire. Especially in Europe and the United States, Nielsen's music is ever more frequently performed, with interest growing in other countries too. Carl Nielsen is especially admired for his six symphonies, his Wind Quintet and his concertos for violin, flute and clarinet. In Denmark, his opera Maskarade and a considerable number of his songs have become an integral part of the national heritage. While his early music was inspired by composers such as Brahms and Grieg, he soon started to develop his own style, first experimenting with progressive tonality and later diverging even more radically from the standards of composition still common at the time. For many years, he appeared on the Danish hundred-kroner banknote.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Louis-Claude Daquin
Louis-Claude Daquin (or d'Acquin), (July 4, 1694 – June 15, 1772) was a French composer of Jewish birth writing in the Baroque and Galant styles. He was a virtuoso organist and harpsichordist.
At the age of eight, he conducted his own choral work Beatus Vir.
Daquin's surviving music includes four harpsichord suites, a Nouveau livre de noëls for organ and harpsichord (settings of Christmas pastorals, which include some of his harpsichord improvisations), a cantata, and an air à boire. Among the most famous of his works are the Swiss Noel (Noël Suisse, No. XII of his Nouveau livre), and Le coucou ("The Cuckoo") which is from his 1735 harpsichord suite.
Among technical innovations, his Trois cadences for harpsichord contains a triple trill.
At the age of eight, he conducted his own choral work Beatus Vir.
Daquin's surviving music includes four harpsichord suites, a Nouveau livre de noëls for organ and harpsichord (settings of Christmas pastorals, which include some of his harpsichord improvisations), a cantata, and an air à boire. Among the most famous of his works are the Swiss Noel (Noël Suisse, No. XII of his Nouveau livre), and Le coucou ("The Cuckoo") which is from his 1735 harpsichord suite.
Among technical innovations, his Trois cadences for harpsichord contains a triple trill.
Tom Waits
Thomas Alan Waits (born 7 December 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and as a supporting actor in films, including The Fisher King, Coffee & Cigarettes, Bram Stoker's Dracula, and Short Cuts. He was nominated for an Academy Award for his soundtrack work on One from the Heart.
Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.
Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.