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Christopher Norton
Christopher Norton (born 1953) is a New Zealand-born British pianist and composer. Norton obtained a degree in music from the University of Otago in 1974. He taught music in Wellington high schools, worked as a composer-in-Schools for a year, then free-lanced as a composer, arranger and pianist.
He moved to the UK in 1977 on a New Zealand Government Scholarship. His earliest publications were with Universal Edition in London, and included Carol Jazz — improvisations on Christmas tunes — and Sing'n'Swing, for choir, piano and percussion.
In 1983, Norton was signed by Boosey & Hawkes, and the first of the Microjazz series appeared, an educational music series that has expanded over 20 years to include music for all of the major instruments with piano, ensemble books and midi file backings. It is now the biggest selling music series for Boosey & Hawkes, with over a million sales to date. Boosey & Hawkes claims that it is "one of the most widely used educational series ever published."
He moved to the UK in 1977 on a New Zealand Government Scholarship. His earliest publications were with Universal Edition in London, and included Carol Jazz — improvisations on Christmas tunes — and Sing'n'Swing, for choir, piano and percussion.
In 1983, Norton was signed by Boosey & Hawkes, and the first of the Microjazz series appeared, an educational music series that has expanded over 20 years to include music for all of the major instruments with piano, ensemble books and midi file backings. It is now the biggest selling music series for Boosey & Hawkes, with over a million sales to date. Boosey & Hawkes claims that it is "one of the most widely used educational series ever published."
Guiseppe Verdi
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: ; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Although his work was sometimes criticized for using a generally diatonic rather than a chromatic musical idiom and having a tendency toward melodrama, Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Schumann
Robert Schumann, sometimes given as Robert Alexander Schumann, (June 8, 1810 – July 29, 1856) was a German composer, aesthete and influential music critic. He is one of the most famous Romantic composers of the 19th century.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
Joe Zawinul
Josef Erich Zawinul (July 7, 1932 – September 11, 2007) was an Austrian jazz keyboardist and composer.
First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with trumpeter Miles Davis, and to become one of the creators of jazz fusion, an innovative musical genre that combined jazz with elements of rock and world music. Later, Zawinul co-founded the groups Weather Report and the world fusion music oriented Zawinul Syndicate. Additionally, he made pioneering use of electric piano and synthesizers. Zawinul won the "Best Keyboardist" award 30 times from American jazz magazine Down Beat's critics' poll.
Several artists have honored Zawinul with songs, notably Brian Eno's instrumental "Zawinul/Lava", John McLaughlin's instrumental "Jozy", Warren Cuccurullo's "Hey Zawinul", Bob Baldwin's "Joe Zawinul", and Biréli Lagrène's instrumental "Josef". Zawinul's playing style is often dominated by quirky melodic improvisations —both bebop, ethnic and pop sounding— combined with sparse but rhythmic playing of big-band sounding chords or bass lines. In Weather Report, he often employed a vocoder as well as pre-recorded sounds played (i.e filtered and transposed) through a synthesizer, creating a very distinctive, often beautiful, synthesis of jazz harmonics and "noise" ("using all the sounds the world generates"). Many considered Zawinul as the "best" synthesizer player "in jazz", frequently employing several keyboards with live settings of his bands.
First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with trumpeter Miles Davis, and to become one of the creators of jazz fusion, an innovative musical genre that combined jazz with elements of rock and world music. Later, Zawinul co-founded the groups Weather Report and the world fusion music oriented Zawinul Syndicate. Additionally, he made pioneering use of electric piano and synthesizers. Zawinul won the "Best Keyboardist" award 30 times from American jazz magazine Down Beat's critics' poll.
Several artists have honored Zawinul with songs, notably Brian Eno's instrumental "Zawinul/Lava", John McLaughlin's instrumental "Jozy", Warren Cuccurullo's "Hey Zawinul", Bob Baldwin's "Joe Zawinul", and Biréli Lagrène's instrumental "Josef". Zawinul's playing style is often dominated by quirky melodic improvisations —both bebop, ethnic and pop sounding— combined with sparse but rhythmic playing of big-band sounding chords or bass lines. In Weather Report, he often employed a vocoder as well as pre-recorded sounds played (i.e filtered and transposed) through a synthesizer, creating a very distinctive, often beautiful, synthesis of jazz harmonics and "noise" ("using all the sounds the world generates"). Many considered Zawinul as the "best" synthesizer player "in jazz", frequently employing several keyboards with live settings of his bands.
Bodo Wartke
The audience appreciates Bodo Wartke as a chansonnier and virtuoso pianist as well as a versatile actor and charming confériecier. The piano cabaret artist does not shy away from controversial topics in his wit and tone.
At the age of 19, Bodo Wartke performed his first full-length concert on November 16, 1996 and looks back on more than 20 years of artistic career.
At the age of 19, Bodo Wartke performed his first full-length concert on November 16, 1996 and looks back on more than 20 years of artistic career.
I love you because
I Love You Because is a musical set in modern-day New York. It is based on Jane Austen's novel Pride and Prejudice. It features lyrics by Ryan Cunningham, set to music by Joshua SalzmanCunningham and Salzman first met in New York University's graduate program in musical theater writing, where they began writing the songs that became I Love You Because.
Nino Rota
Nino Rota (December 3, 1911, Milan – April 10, 1979, Rome) was a world-renowned Italian composer and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy.
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo de Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo de Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
Tay Zonday
Adam Nyerere Bahner (born July 6, 1982), better known by the pseudonym Tay Zonday, is an American musician, voice actor, film actor, and social commentator. He was an MC for YouTube Live in 2008. He entered mainstream exposure when his song "Chocolate Rain" and accompanying video on YouTube became a popular Internet meme in July 2007. By December 2009, it had over 46 million views.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Francis Lai
Francis Lai (born April 26, 1932 in Nice, Alpes-Maritimes, France) is a composer noted for his film scores.
While in his twenties, Francis Lai left home and went to Paris where he became part of the lively Montmartre music scene. In 1965 he met filmmaker Claude Lelouch and was hired to help write the score for the film, Un homme et une femme (A Man and A Woman). Released in 1966, the film was a major international success, earning a number of Academy Awards, and for the young Francis Lai, a Golden Globe Award nomination for "Best Original Score". This initial success brought more opportunities to work for the film industry both in his native France as well as in Great Britain and the United States. In 1969, he wrote the score for director René Clément's film, Rider On The Rain (Le Passager de la Pluie).
In 1970 Francis Lai won the Academy Award for Best Music, Original Score and the Golden Globe Award for Best Original Score for the film Love Story. In the United States, the soundtrack album went to No. 2 in the Billboard album charts and the film's theme, "Where Do I Begin" was a hit single with lyrics by Carl Sigman for traditional pop singer Andy Williams. The song would also be recorded successfully by Lai himself with a full orchestra and by Henry Mancini and Shirley Bassey. Francis Lai also wrote the music for the 1978 Love Story sequel titled Oliver's Story.
Lai has also had success with music written for softcore erotic films like Emmanuelle 2 (1975) and Bilitis (1977).
His composition Aujourd'hui C'est Toi is probably best known in the UK as the theme music for the long-running BBC television current affairs documentary series Panorama.
In a career spanning forty years, Francis Lai has also written music for television programs and alone or in collaboration with others has composed music for more than one hundred films and has personally written more than six hundred songs.
While in his twenties, Francis Lai left home and went to Paris where he became part of the lively Montmartre music scene. In 1965 he met filmmaker Claude Lelouch and was hired to help write the score for the film, Un homme et une femme (A Man and A Woman). Released in 1966, the film was a major international success, earning a number of Academy Awards, and for the young Francis Lai, a Golden Globe Award nomination for "Best Original Score". This initial success brought more opportunities to work for the film industry both in his native France as well as in Great Britain and the United States. In 1969, he wrote the score for director René Clément's film, Rider On The Rain (Le Passager de la Pluie).
In 1970 Francis Lai won the Academy Award for Best Music, Original Score and the Golden Globe Award for Best Original Score for the film Love Story. In the United States, the soundtrack album went to No. 2 in the Billboard album charts and the film's theme, "Where Do I Begin" was a hit single with lyrics by Carl Sigman for traditional pop singer Andy Williams. The song would also be recorded successfully by Lai himself with a full orchestra and by Henry Mancini and Shirley Bassey. Francis Lai also wrote the music for the 1978 Love Story sequel titled Oliver's Story.
Lai has also had success with music written for softcore erotic films like Emmanuelle 2 (1975) and Bilitis (1977).
His composition Aujourd'hui C'est Toi is probably best known in the UK as the theme music for the long-running BBC television current affairs documentary series Panorama.
In a career spanning forty years, Francis Lai has also written music for television programs and alone or in collaboration with others has composed music for more than one hundred films and has personally written more than six hundred songs.
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (February 3, 1809 – November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
The Daydream
The Daydream Club is an English multi-genre music duo formed in 2010 by husband and wife Adam and Paula Pickering. They say their one goal is to make music they're proud of. Their manager claims they have built a strong, loyal fan base without traditional forms of financing, promotion or backing. To date all material has been self-released through their own label, Poco Poco Records. They have featured on BBC, Burberry, Acoustic Magazine, Rolling Stone, Level Films, Channel 4, the Hype Machine's most influential music blogs, and Spotify, with over 100 million streams.
Morten Lauridsen
Morten Johannes Lauridsen (born February 27, 1943) is an American composer. He was composer-in-residence of the Los Angeles Master Chorale (1994–2001) and has been a professor of composition at the University of Southern California Thornton School of Music for more than 30 years.
Hill
Frank Hill (* 25. November 1957 in Rostock) ist ein deutscher Komponist und Gitarrist.Die väterliche Familie steht in musischer Tradition, seit 1700 sind Berufsmusiker verzeichnet. Hill trat als Sechsjähriger in das Konservatorium Rostock ein, begann seine Studienzeit 1978 mit Medizin an der Rostocker Universität und schloss 1986 an der Hochschule für Musik „Franz Liszt“ in Weimar ab. Danach lebte er bis 2014 in Berlin, heute naturnah bei Berlin.
Georgy Sviridov
Georgy Vasilyevich Sviridov was a Russian neoromantic composer, active in the Soviet era. He is most widely known for his choral music, strongly influenced by the traditional chant of the Russian Orthodox Church, as well as his orchestral works which often celebrate elements of Russian culture.
Traditional
Cat Stevens
Yusuf Islam, (born Steven Demetre Georgiou on 21 July 1948), best known by his former stage name Cat Stevens, is a British musician of Greek Cypriot and Swedish ancestry. He is a singer-songwriter, multi-instrumentalist, educator, philanthropist and prominent convert to Islam.
As Cat Stevens, he sold over 60 million albums around the world since the late 1960s. His albums Tea for the Tillerman and Teaser and the Firecat were both certified as Triple Platinum by the RIAA in the United States (three million sales each); his album Catch Bull at Four sold half a million copies in the first two weeks of release alone, and was Billboard's number-one LP for three consecutive weeks. His songwriting has also earned him two ASCAP songwriting awards for "The First Cut Is the Deepest," which has been a hit single for five different artists, and has been instrumental for others in establishing their musical careers.
Stevens converted to Islam at the height of his fame in 1977. The following year, he adopted his Muslim name Yusuf Islam, sold all his instruments and awards for charity, and left his music career to devote himself to educational and philanthropic causes in the Muslim community. He turned to his mother to help him decide the best candidate to wed, and thus, in an arranged marriage, took his vows with Fauzia Mubarak Ali, eventually producing five living children from the union.
He has been given several awards for his work in promoting peace in the world, including 2003's World Award, the 2004 Man for Peace award, and the 2007 Mediterranean Prize for Peace. In 2006, he returned to pop music, with his first album of new pop songs in 28 years, entitled An Other Cup.
He lives with his wife, children and grand-child in London. Yusuf Islam spends part of each year in Dubai.
As Cat Stevens, he sold over 60 million albums around the world since the late 1960s. His albums Tea for the Tillerman and Teaser and the Firecat were both certified as Triple Platinum by the RIAA in the United States (three million sales each); his album Catch Bull at Four sold half a million copies in the first two weeks of release alone, and was Billboard's number-one LP for three consecutive weeks. His songwriting has also earned him two ASCAP songwriting awards for "The First Cut Is the Deepest," which has been a hit single for five different artists, and has been instrumental for others in establishing their musical careers.
Stevens converted to Islam at the height of his fame in 1977. The following year, he adopted his Muslim name Yusuf Islam, sold all his instruments and awards for charity, and left his music career to devote himself to educational and philanthropic causes in the Muslim community. He turned to his mother to help him decide the best candidate to wed, and thus, in an arranged marriage, took his vows with Fauzia Mubarak Ali, eventually producing five living children from the union.
He has been given several awards for his work in promoting peace in the world, including 2003's World Award, the 2004 Man for Peace award, and the 2007 Mediterranean Prize for Peace. In 2006, he returned to pop music, with his first album of new pop songs in 28 years, entitled An Other Cup.
He lives with his wife, children and grand-child in London. Yusuf Islam spends part of each year in Dubai.
Chabrier
Alexis Emmanuel Chabrier (pronounced: ; January 18, 1841 – September 13, 1894) was a French Romantic composer and pianist. Although known primarily for two of his orchestral works, España and Joyeuse marche, he left an important corpus of operas (including the increasingly popular L'étoile), songs, and piano music as well. These works, though small in number, are of very high quality, and he was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six. Stravinsky alluded to España in his ballet Petrushka, Ravel wrote that the opening bars of Le roi malgré lui changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera Briséïs.
Chabrier was also associated with some of the leading writers and painters of his time. He was especially friendly with the painters Claude Monet and Édouard Manet, and collected Impressionist paintings before Impressionism became fashionable. A number of such paintings from his personal collection are now housed in some of the world's leading art museums.
Chabrier was also associated with some of the leading writers and painters of his time. He was especially friendly with the painters Claude Monet and Édouard Manet, and collected Impressionist paintings before Impressionism became fashionable. A number of such paintings from his personal collection are now housed in some of the world's leading art museums.
The Idea of North
The Idea of North are an Australian a cappella vocal ensemble founded in Canberra in 1993, by Nick Begbie (tenor), Meg Corson (alto), Trish Delaney-Brown (soprano) and Andrew Piper (bass). In March 2002 Corson was replaced as alto by Naomi Crellin. Delaney-Brown was replaced on soprano in February 2007 by Sally Cameron. They won the Best Jazz Album category at the ARIA Music Awards of 2010 for Feels Like Spring (collaboration with James Morrison) and again in 2013 for Smile.
Kaoru Wada
Kaoru Wada (和田 薫 Wada Kaoru?, born May 5, 1962) is a Japanese music composer, music arranger, conductor, music orchestrator and pianist from Shimonoseki, Yamaguchi Prefecture. He studied at the Tokyo College of Music. He is popularly known for his work on anime soundtracks. He became known to the west through work on 3x3 Eyes and Battle Angel, and more recently Samurai 7 and the worldwide hit InuYasha. He also arranged works for orchestra and piano on original soundtracks like Kingdom Hearts and Kingdom Hearts II.
His powerful and sweeping melodies are given counterpoint by his sometime harsh, creepy lilting themes of suspense. His most popular works usually are found on the soundtracks of series with heavy emotional and supernatural themes being juxtaposed.
Wada is also an apprentice of the famed Godzilla composer, Akira Ifukube. Wada is married to InuYasha seiyū Akiko Nakagawa, who also voices Sota Higurashi in that anime.
His powerful and sweeping melodies are given counterpoint by his sometime harsh, creepy lilting themes of suspense. His most popular works usually are found on the soundtracks of series with heavy emotional and supernatural themes being juxtaposed.
Wada is also an apprentice of the famed Godzilla composer, Akira Ifukube. Wada is married to InuYasha seiyū Akiko Nakagawa, who also voices Sota Higurashi in that anime.
Francesco Cilea
Francesco Cilea is an Italian composer and music educator especially known for his opera works. Date of birth: July 23, 1866, Palmi, Italy Date and place of death: November 20, 1950, Varazze, Italy Education: Music conservatories of Naples
César Franck
César-Auguste-Jean-Guillaume-Hubert Franck was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. He was born at Liège, in what is now Belgium. He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha.
Team Shanghai Alice
Team Shanghai Alice Musical artistAlbums: 蓬莱人形 〜 Dolls in Pseudo Paradise, OZORAMAJUTSU, Genre: Soundtracks.
Giacomo Puccini
Giacomo Puccini was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era.
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
The Jackson 5
The Jackson 5 (also spelled The Jackson Five, or The Jackson 5ive), later known as The Jacksons, were an American popular music family group from Gary, Indiana. Founding group members Jackie, Tito, Jermaine, Marlon and Michael formed the group after performing in an early incarnation called The Jackson Brothers, which originally consisted of a trio of the three older brothers. Active from 1964 to 1990, the Jacksons played from a repertoire of R&B, soul, pop and later disco. During their six-and-a-half-year Motown tenure, The Jackson 5 were one of the biggest pop-music phenomena of the 1970s, and the band served as the launching pad for the solo careers of their lead singers Jermaine and Michael, the latter brother later transforming his early Motown solo fame into greater success as an adult artist.
The Jackson 5 were the first act in recording history to have their first four major label singles ("I Want You Back", "ABC", "The Love You Save", and "I'll Be There") reach the top of the Billboard Hot 100. Several later singles, among them "Mama's Pearl", "Never Can Say Goodbye" and "Dancing Machine", were Top 5 pop hits and number-one hits on the R&B singles chart. Most of the early hits were written and produced by a specialized songwriting team known as "The Corporation"; later Jackson 5 hits were crafted chiefly by Hal Davis, while early Jacksons hits were compiled by the team of Gamble and Huff before The Jacksons began writing and producing themselves in the late 1970s.
Significantly, they were the first black teen idols to appeal equally to white audiences thanks partially to the successful promotional relations skills of Motown Records CEO Berry Gordy. With their departure from Motown to CBS in 1976, The Jacksons were forced to change their name and Jermaine was replaced with younger brother Randy as Jermaine chose to stay at Motown. After two years under the Philadelphia International Records label, they signed with Epic Records and asserted control of their songwriting, production, and image, and their success continued into the 1980s with hits such as "Shake Your Body (Down to the Ground)", "Lovely One", and "State of Shock". Their 1989 album 2300 Jackson Street was recorded without Michael and Marlon. Michael and Marlon did appear, however, on the title track. The disappointing sales of the album led to the group being dropped by their record label at the end of the year. The group has never formally broken up, but has been dormant since then, although all six brothers performed together at two Michael Jackson tribute concerts in September 2001.
The Jackson 5 were the first act in recording history to have their first four major label singles ("I Want You Back", "ABC", "The Love You Save", and "I'll Be There") reach the top of the Billboard Hot 100. Several later singles, among them "Mama's Pearl", "Never Can Say Goodbye" and "Dancing Machine", were Top 5 pop hits and number-one hits on the R&B singles chart. Most of the early hits were written and produced by a specialized songwriting team known as "The Corporation"; later Jackson 5 hits were crafted chiefly by Hal Davis, while early Jacksons hits were compiled by the team of Gamble and Huff before The Jacksons began writing and producing themselves in the late 1970s.
Significantly, they were the first black teen idols to appeal equally to white audiences thanks partially to the successful promotional relations skills of Motown Records CEO Berry Gordy. With their departure from Motown to CBS in 1976, The Jacksons were forced to change their name and Jermaine was replaced with younger brother Randy as Jermaine chose to stay at Motown. After two years under the Philadelphia International Records label, they signed with Epic Records and asserted control of their songwriting, production, and image, and their success continued into the 1980s with hits such as "Shake Your Body (Down to the Ground)", "Lovely One", and "State of Shock". Their 1989 album 2300 Jackson Street was recorded without Michael and Marlon. Michael and Marlon did appear, however, on the title track. The disappointing sales of the album led to the group being dropped by their record label at the end of the year. The group has never formally broken up, but has been dormant since then, although all six brothers performed together at two Michael Jackson tribute concerts in September 2001.
Erroll Garner
Erroll Louis Garner (June 15, 1921 – January 2, 1977) was an American jazz pianist and composer whose distinctive and melodic style brought him both popular acclaim and the admiration of peers. Of note, Garner was never able to read or write sheet music.
What makes Garner's playing easy to recognize is his trademark introductions, which seem to make no sense until breaking dramatically into his exposition of the tune he will play, and the guitar strumming sound of his left hand, playing crotchet accompaniment to his rich sounding right hand. He places his chords and octaves on syncopated beats that swing very hard and can be used to build excellent tension, such as between phrases. The approach also suggests he was influenced by the iconic rhythm guitar work of Count Basie's long time guitarist, Freddie Green. But discerning listeners could find that while his even four left hand was a fixture, it was far from being the only rhythmic approach he took to playing.
What makes Garner's playing easy to recognize is his trademark introductions, which seem to make no sense until breaking dramatically into his exposition of the tune he will play, and the guitar strumming sound of his left hand, playing crotchet accompaniment to his rich sounding right hand. He places his chords and octaves on syncopated beats that swing very hard and can be used to build excellent tension, such as between phrases. The approach also suggests he was influenced by the iconic rhythm guitar work of Count Basie's long time guitarist, Freddie Green. But discerning listeners could find that while his even four left hand was a fixture, it was far from being the only rhythmic approach he took to playing.
Benjamin Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh, OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. Showing prodigious talent from an early age – he composed his Quatre Chansons françaises for soprano and orchestra at the age of fourteen – he first came to public attention with the a cappella choral work A Boy Was Born. With the premiere of his opera Peter Grimes in 1945 he leapt to international fame, and for the next fifteen years he devoted much of his compositional attention to writing operas, several of which now appear regularly on international stages. Britten's interests as a composer were wide-ranging; he produced important music in such varied genres as orchestral, choral, solo vocal (much of it written for the tenor Peter Pears), chamber and instrumental, as well as film music. He also took a great interest in writing music for children and amateur performers, and was considered a fine pianist and conductor.
Frank Wildhorn, Leslie Bricusse
Frank Wildhorn (born 1959) is an American composer known for his musicals and popular songs.
Leslie Bricusse (29 January 1931) is a British lyricist and composer.
Although best known for his partnership with Anthony Newley, Bricusse has worked with many other composers. Whilst at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. He married the actress Yvonne Romain.
Leslie Bricusse (29 January 1931) is a British lyricist and composer.
Although best known for his partnership with Anthony Newley, Bricusse has worked with many other composers. Whilst at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. He married the actress Yvonne Romain.
Paul De Senneville
Paul de Senneville, a French songwriter and music producer.
As a director of a record company, Disc AZ, he started a new career on the basis of his passion in life: music.
After writing his first song in 1962, he contributed music for songs in many movie soundtracks produced by French companies such as Univers Galaxie and Daber Films. In 1968, while managing Michel Polnareff's career, he met Olivier Toussaint, forming a successful songwriting partnership. with songs were recorded by major French artists such as: Mireille Mathieu, Michèle Torr, Christophe, Hervé Vilard, Dalida, Petula Clark and Claude François. This partnership accounts for over 100 million records sold internationally. Partnering with lyricist Jean-Loup Dabadie, he wrote Tous les bateaux, tous les oiseaux, a French hit recorded by Michel Polnareff.
Very soon, they also got involved in Production business. They started up the group Pop Concerto Orchestra. which Olivier Toussaint sang as a lead singer there. Soon after, they launched their second group Anarchic System that produced Rock & roll music. Over a period of 5 years, both groups sold several millions of records.
As a director of a record company, Disc AZ, he started a new career on the basis of his passion in life: music.
After writing his first song in 1962, he contributed music for songs in many movie soundtracks produced by French companies such as Univers Galaxie and Daber Films. In 1968, while managing Michel Polnareff's career, he met Olivier Toussaint, forming a successful songwriting partnership. with songs were recorded by major French artists such as: Mireille Mathieu, Michèle Torr, Christophe, Hervé Vilard, Dalida, Petula Clark and Claude François. This partnership accounts for over 100 million records sold internationally. Partnering with lyricist Jean-Loup Dabadie, he wrote Tous les bateaux, tous les oiseaux, a French hit recorded by Michel Polnareff.
Very soon, they also got involved in Production business. They started up the group Pop Concerto Orchestra. which Olivier Toussaint sang as a lead singer there. Soon after, they launched their second group Anarchic System that produced Rock & roll music. Over a period of 5 years, both groups sold several millions of records.
Maxime Le Forestier
Maxime Le Forestier (French: ; born 10 February 1949 as Bruno Le Forestier) is a French singer-songwriter.Bruno Le Forestier was born on 10 February 1949 in Paris to father Robert Le Forestier and mother Genevieve (née Lili 1917–2010) who had lived in England. He had two older sisters, Annette (born 1943) and Catherine (born 1946).His musical training started on the violin. He attended the Lycée Condorcet, where he studied literature.In 1965, he formed a duo (Cat et Maxime) with his sister Catherine. Playing at cabaret venues on Paris' Left Bank, the pair met and formed a friendship with Georges Moustaki. They were amongst the first artists to cover a number of songs by Moustaki – including Ma Liberté and Ma Solitude. In 1968, Catherine joined Moustaki as a backing singer. Le Forestier began to focus on songwriting and composed Ballade pour un traître which was recorded and released by the French/Italian singer and actor, Serge Reggiani.
Marcos Barrientos
Marco Antonio Barrientos Zumpano, known as Marco Barrientos (born June 28, 1963) is an Evangelical Christian musician, pastor, author, teacher, and speaker known for combining practical biblical principles with the flow of prophetic songs.Barrientos has an extensive discography, and is best known for his productions "Sin Reservas", "Es Hora de Adorarle", "Transformados", and "Ilumina".He has been nominated for the Arpa Awards in many times and Latin Grammy Awards three times, for Best Christian Album for his productions "Viento + Fuego" in 2005, "Transformados" in 2011, and "Amanece" in 2015.
Roxette
Roxette is a Swedish pop duo, consisting of Marie Fredriksson and Per Gessle.
Although well known as a duo in their native Sweden since the mid 1980s (where the group has had 17 Top 10 hits), the duo achieved worldwide success in the late 1980s. Roxette had four US No. 1 singles, two No. 2 singles. The group has been certified by the Recording Industry Association of America (RIAA) with two platinum albums - 1988's Look Sharp! (released in the U.S. in 1989) and 1991's Joyride, as well as two gold singles - "The Look" and "It Must Have Been Love".
Roxette's success was even bigger in Europe and South America, where their number of Top 10 hits was higher and continued after their decline in the US in 1992. Each of their 7 studio albums as well as their several "Best of" CDs received gold, platinum or multi-platinum status in Europe and Latin-America.
Although well known as a duo in their native Sweden since the mid 1980s (where the group has had 17 Top 10 hits), the duo achieved worldwide success in the late 1980s. Roxette had four US No. 1 singles, two No. 2 singles. The group has been certified by the Recording Industry Association of America (RIAA) with two platinum albums - 1988's Look Sharp! (released in the U.S. in 1989) and 1991's Joyride, as well as two gold singles - "The Look" and "It Must Have Been Love".
Roxette's success was even bigger in Europe and South America, where their number of Top 10 hits was higher and continued after their decline in the US in 1992. Each of their 7 studio albums as well as their several "Best of" CDs received gold, platinum or multi-platinum status in Europe and Latin-America.
Dukas
Paul Abraham Dukas (1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are an opera Ariane et Barbe-bleue, a symphony, two substantial works for solo piano, and a ballet, La Péri.
At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy.
In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, and Joaquín Rodrigo.
At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy.
In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, and Joaquín Rodrigo.
Oscar Hammerstein
Oscar Greeley Clendenning Ritter von Hammerstein II (/ˈhæmərstaɪn/; July 12, 1895 – August 23, 1960) was an American librettist, theatrical producer, and (usually uncredited) theatre director of musicals for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Hammerstein was the lyricist and playwright in his partnerships; his collaborators wrote the music. Hammerstein collaborated with numerous composers, such as Jerome Kern, with whom he wrote Show Boat, Vincent Youmans, Rudolf Friml, Richard A. Whiting, and Sigmund Romberg, but he is best known for his collaborations with Richard Rodgers, as the duo Rodgers and Hammerstein, whose collaborations include Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music.
Hammerstein was the lyricist and playwright in his partnerships; his collaborators wrote the music. Hammerstein collaborated with numerous composers, such as Jerome Kern, with whom he wrote Show Boat, Vincent Youmans, Rudolf Friml, Richard A. Whiting, and Sigmund Romberg, but he is best known for his collaborations with Richard Rodgers, as the duo Rodgers and Hammerstein, whose collaborations include Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music.
The Fray
The Fray is a Grammy Award-nominated four-piece piano rock American band from Denver, Colorado. Formed in 2002 by schoolmates Isaac Slade and Joe King, the band released their debut album How to Save a Life in 2005. The band is best known for the song "How to Save a Life", which charted in the top three of the Billboard Hot 100 and was also a top 5 single in Canada, Australia, Ireland, Sweden, and the United Kingdom. The Fray also found national success with the song "Over My Head (Cable Car)", which became a top ten hit in the United States and Canada. How to Save a Life was certified double platinum by the Recording Industry Association of America and was also certified platinum in Australia and New Zealand.
The Fray was formed in 2002, and currently consists of Isaac Slade (vocals and piano), Joe King (guitar and vocals), Dave Welsh (guitar) and Ben Wysocki (drums and percussion). While the band has no official bass guitarist, Dan Lavery of Tonic has been the touring bassist since March 2007. Prior to Dan joining the touring fold, Jimmy Stofer, also a member of the band Hello Kavita, was employed as the band's touring bassist from 2005 through February 2007.
The Fray was formed in 2002, and currently consists of Isaac Slade (vocals and piano), Joe King (guitar and vocals), Dave Welsh (guitar) and Ben Wysocki (drums and percussion). While the band has no official bass guitarist, Dan Lavery of Tonic has been the touring bassist since March 2007. Prior to Dan joining the touring fold, Jimmy Stofer, also a member of the band Hello Kavita, was employed as the band's touring bassist from 2005 through February 2007.
Super Mario Bros
Super Mario is a platform game series created by Nintendo, featuring their mascot, Mario. Alternatively called the Super Mario Bros. series or simply the Mario series, it is the central series of the greater Mario franchise. At least one Super Mario game has been released for every major Nintendo video game console. There have also been a number of Super Mario video games released on non-Nintendo gaming platforms. There are currently twenty-one similar games and one cross-series game that may or may not be included as part of the series.
KaS Product
KaS Product was a French electronic duo. Their music has been considered part of the French cold wave and electropunk movements. Formed in 1980, the duo consists of Spatsz on electronics and rhythm machines with Mona Soyoc on guitar, vocals and piano. Spatsz worked at a psychiatric hospital previously while Soyoc worked with a jazz band before meeting Spatsz.Their music is done in a similar minimal electronics and vocal style akin to Kaleidoscope-era Siouxsie and the Banshees, Suicide and Soft Cell. The press compared Soyoc's voice to that of Siouxsie Sioux.
François Couperin
François Couperin (French: ; 10 November 1668 – 11 September 1733) was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand ("Couperin the Great") to distinguish him from other members of the musically talented Couperin family.Couperin was born into a prominent musical family. His father Charles was organist at the Church of Saint-Gervais in Paris, a position previously held by Charles's brother Louis Couperin, the esteemed keyboard virtuoso and composer whose career was cut short by an early death. As a boy François must have received his first music lessons from his father, but Charles died in 1679. The church council at Saint-Gervais hired Michel Richard Delalande to serve as new organist on the understanding that François would replace him at age 18.
Charles Meineke
Meineke, Christopher (Charles, Karl), 1782-1850; German-born pianist, organist and composer who emigrated to America at the age of 18, settling in Baltimore.
Odin Sphere
Odin Sphere Leifthrasir! Snow lands, emerald forests, and fire pits are calling you towards a story waiting to be explained. Experience the Odin Sphere Leifthrasir, the world of Erion, as the warring kingdoms skirmish for control as the day rushes towards the end.
Violeta Parra
Violeta del Carmen Parra Sandoval was a Chilean composer, singer-songwriter, folklorist, ethnomusicologist and visual artist. She pioneered the Nueva Canción Chilena, a renewal and a reinvention of Chilean folk music that would extend its sphere of influence outside Chile.
David Sanborn
David William Sanborn is an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school.
The Dresden Dolls
The Dresden Dolls are an American musical duo from Boston, Massachusetts. Formed in 2000, the group consists of Amanda Palmer (vocals, piano, harmonica, ukelele) and Brian Viglione (drums, percussion, guitar, bass guitar, vocals). The two describe their style as "Brechtian punk cabaret", a phrase invented by Palmer because she was "terrified" that the press would invent a name that "would involve the word gothic." The Dresden Dolls are part of an underground dark cabaret movement that started gaining momentum in the early 1990s.
Imogen Heap
Imogen Jennifer Heap (/ˈɪmədʒᵻn ˈhiːp/; born 9 December 1977) is an English singer-songwriter and composer. She is known for her work as part of the musical duo Frou Frou and her solo albums, which she writes, produces, and mixes. She has produced four solo albums. Her 2009 album, Ellipse, was a North American chart success that earned Heap two Grammy nominations, winning Best Engineered Album, Non-Classical in recognition of her technical and engineering work on the record. In 2010 she received the British Academy's Ivor Novello Award for International Achievement.
Frank Loesser
Frank Henry Loesser (/ˈlɛsər/; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals Guys and Dolls, How to Succeed in Business Without Really Trying, and others. He won separate Tony Awards for the music and lyrics in both shows as well as shared the Pulitzer Prize for Drama for the latter. He also wrote songs for over 60 Hollywood films and for Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for "Baby, It's Cold Outside".
Offenbach
Jacques Offenbach (20 June 1819 – 5 October 1880) was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory.
Johann Baptist Cramer
Johann (sometimes John) Baptist Cramer (24 February 1771 – 16 April 1858) was an English pianist, composer and music publisher of German origin. He was the son of Wilhelm Cramer, a famous London violinist and conductor, one of a numerous family who were identified with the progress of music during the 18th and 19th centuries.
Hyunyoung
Cho Hyun Young (조현영; also known simply as Hyunyoung) is a South Korean singer and actress. She is a former member of the girl group Rainbow and its sub-units Rainbow Pixie and Rainbow Blaxx.
Elizabeth Shier
Elizabeth Shier Music Class Social Contracts and we completed our Mission Statement for this year. These documents will help us all stay .
